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ANDY GREENAWAY - "Zappa the hardway" (2010)

Luxurious independent book devoted to analyzing timely and accurate (at least from what I read in these early days) of the now famous Zappa's last tour in the company of the "Best Band" dated 1988 and called "Broadway the hardway.

That moment in the career of Frank Zappa was a crucial (because just before the outbreak of the disease that would take him away just a few years later in December 1993) to better understand and track with other new details of the entire trajectory of his "project / object" definitive.
How many people know the extraordinary "Best Band" has crumbled after the close of his European tour to Genoa, leaving "the company Zappa" only the debts accrued for the operation ended badly and lost earnings of a probable second fruitful U.S. tour for the winter of 1988. But beyond the recriminations of a purely economic type, mode, and the reason for the extraordinary ensemble project has been dissolved has perhaps left a real scar already cynical mood of the composer of Baltimore, finally away from interaction with other beings in blood hot, preferring as a final solution a solid relationship "professional" with a machine (Synclavier) and its operating software in constant evolution. Anyway ... back to the book,



the tome is a beautiful and elegant with this jacket with a stiff silk screen depicting the silver in our moments of one of its proverbial "direction" orchestra, a good idea to decorate (and protect ) the real book ...



rather bulky, which opens with a page confirming the uniqueness of the copy in your possession (it was in fact released a limited edition of 400 copies) ...



and continues with several pages (224) printed in a convenient character for easy reading (to understand ... is not a small body font arial 8) and other pages full of beautiful photographs (74 to be exact .. some of the not quite as easily available elsewhere).







Needless to say this book is definitely destined to become fundamental to every student and passionate Zappa (obviously omit to underline the interest in this subject by careful collectors international).

to have.

info here: gandsmusic@casero.demon.co.uk

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PSAPP - "The Camel's back" (2008)

When the desire to play and experiment with the sound produces a beneficial creative energy often reaches even the public's heart, though not always necessarily mean a global success, that it depends much more on the quantity and quality of its visibility in the international media. But it is clear that to succeed in creating a balanced combination between research and pleasure, between intelligence and simplicity is a big deal.

Carim Clasmann The German and English Galia Durant began work with sounds in a completely original size made up of elements custici generated by disparate objects such as dolls for children, ashtrays, tin cans and small toys, more or less sound. This sense of lightness inevitably "brought a dowry," the use of unorthodox sound machines helped significantly to create a "sound" unique and unmistakable. For this reason, since the first release independent Psapp, the group born from the collaboration of two musicians mentioned above, has attracted the interest of many professionals and many young listeners interested in their element almost "fun" of the music offered. In moments of great sadness and difficulty of mind, listen to tunes inflected with a sound basic also remember the best moments (the childhood and innocence in general) probably contributes to a "friendly" this or that tune of Psapp (though without being able to trivially whistle, mind you, because in reality the tunes are by no means "simple") . As wanting to pull the "sound" of the band to show the new American generation ("The OC," "Nip / Tuck" and "Grey's anathomy") is not always free from cruelty and substantial sadness, it seemed (rightly!) a winning move for the producers of television thanks to the melodies bewilders Psapp have added a further element to their original proposal television.

's debut album final on the international market "that counts" of Clasmann & Durant was called "Tiger, My Friend" (2004). After the experiences of independent production, the disc was proposed with an overwhelming force for innovation in the clear, raised more than a little curious enll'intento of a mixed audience, equally divided between fans of easy listening disengaged and the aesthetes and creative form of composition so wisely conjugated in its main features.

After two years the publication of the even more brilliant "The Only Thing I Ever Wanted" (2006) has not only confirmed the fact of being comfortable in front of a beautiful musical reality of which he felt really absence. And then not even omit the graphic work personally cared by the beautiful images "on treatment" means the same Galia offering more reasons ambitions collectible fans of the genre.

Since 2006 the duo's live (necessarily supported by other musicians because of the complexity of the arrangements even in their delicate and fragile acoustic) confirmed the good things you could catch from the proposed project. This necessary time to promote international music has forcibly influenced the publication of what today is the last album released, namely that "The camel's back", not only confirms both the strong creative streak of the actors involved, but the move towards a further progressive development of sound spaces that can not foreclose exciting new surprises in the future, perhaps through further development merely sound, able to integrate more "stamps" is not tempered with the substantial support basic electronics always effectively constructed and calibrated. In this latest DVD and then become even more obvious (though it may seem strange) the common musical passions of Galia and Carim, hear it to believe the typical elements of Tom Waits, The Cure, Eric Satie and Duke Ellington present between the notes of the beautiful unconventional 12 tracks that make up the album.